London: Printed for Henry Harriman, 1656. First edition. Hardcover. 12mo. (14),120,(2). Plate of chessboard present. Contemporary sheep, blind rules on the boards. Light dampstain across the top, the leather cracked and rubbed, especially at the spine, lacking the preliminary blank and the portrait of the King, else a very good..... More

Newtown, Powys: Gwasg Gregynog, 1998. Illustrated by Kyffin Williams. Limited edition. Hardcover. Folio. (40)pp finely printed on Velin Arches mould-made paper in Baskerville type. Linen cloth printed in black on the spine and with an illustration by Williams on the upper board. Illustrated with eight full page 2 color linocuts..... More

Auckland: H. Brett, 1885. First edition. Hardcover. 8vo. 225pp. Original brick-colored cloth blocked in gilt on the spine and in black on the upper board, blind on the lower board. Pages darkened with age and a few pp. with light underlining in pencil else a fine, bright copy. With the..... More

London: Printed for Timothy Garthwait, 1664. First edition. Hardcover. Folio. (4),108;113-320pp. Title page printed in red and black. Bound to style in quarter leather; red leather lettering label, gilt; marbled paper boards. Imprimatur on leaf [A]2v: Imprimatur, Geo: Stradling, S.T.P. Rev. in Christo Patr. Dom. Gilb. Episc. Lond. à Sac..... More

Chicago: The Chap-Book, 1896. First US edition. Wraps. 12mo. Original printed wraps. xx,(97)-144,xxi-xxx pp. Vol. VI., No. 3 of The Chap-Book which contains the first printed appearance in the United States of 'The Duke's Reappearance' and only its second appearance overall, having appeared the previous day in England in The..... More

London: Pelham Richardson, 1844. Hardcover. 8vo. Signed binding of contemporary half maroon morocco by R. H. Porter. Spine in six compartments, gilt titles and vignettes, raised bands tooled in gilt. Pebble-grain maroon cloth sides, all edges gilt. Bound with Plate IV, 'The Gnoo', as frontispiece. The non-hunting Plate I, 'Chief..... More

Boston and New York: H. M. Caldwell Co., (1906). Hardcover. Shape book, cut in the shape of a bottle of champagne in an ice bucket. (136)pp. Printed in green and black. A fine copy in original glassine, and in the publisher's box. The box has light soil, but the book..... More

n.p. Art Hazelwood, 2018. Limited edition. Hardcover. Concertina style, 8½ by 10½ inches expanding to 8½ by 170 inches. Printed on the obverse of the pages only. Four seasons in Zuni Pueblo: Rain Dance, Monsoon, Shalako, and Winter. Each season is presented in three panels plus a panel with the..... More

Rochester, N.Y. Hickey-Freeman Co., c. 1925. Hardcover. Thin 4to. 37pp. Brown cloth spine, gilt title, paper over boards with title embossed in gilt and dark brown on the upper board. With two pages (35 and 37) containing nine fabric samples each, with identification (e.g., homespun, Cassimere, Londonaire, etc.) and page..... More

London: Longman, Hurst, Rees, Orme, Brown, and Green, 1824. First edition. Hardcover. 8vo. (4), 390pp. Nineteenth century binding of half morocco; spine in six compartments, gilt title and bands, marbled paper boards and endpapers. Bookplate of Holcombe Ingleby. Publication date of MDCCCXXIV at foot of title page erased and replaced..... More

New-York: Hopkins & Morris, 1825. Wraps. 8vo. 40pp. Printed paper wraps. Wraps well soiled and worn; binding nearly perished; pages rough and soiled along the edges but not affecting text. A fair copy only. Preserved in a custom clamshell case. Begins with a excerpt from Jefferson's Notes on Virginia and..... More

London: John Pine [Iohannes Pine], 1733-37. First edition. Hardcover. Two volumes. Contemporary full crimson leather, intricately tooled in a 'cottage' design on all boards. Sometime rebacked in matching leather. The reback is itself a work of art: The spines are in 6 compartments, separated by raised bands tooled in gilt..... More

East Aurora: Roycrofters, (1902). Limited edition. Hardcover. Folio. (10),120,(2)pp. Finely bound by the Roycrofters in half morocco. Spine in six compartments with raised bands, intricately gilt. Top edge gilt. Marbled paper boards and endpapers. Frontispiece portrait. Printed in red and black throughout. One of 100 signed numbered copies printed on..... More