(Tacámbaro, Michoacán): (Taller Martín Pescador), 2019. Broadside. Brtoadside, 12 by 19 inches, finely printed by Juan Pascoe in black and red on thick stock. The center features a cut of an early printing office. The Guadalajara fair coincided with the 480th anniversary of printing in Mexico. One of 150 unnumbered..... More
Tacámbaro, Michoacán: Taller Martín Pescador, n.d. (2013). Limited edition. Broadside. Brtoadside, 12 by 18 inches, finely printed by Juan Pascoe in black. With a linocut by Artemio Rordiguez in blue. One of 100 copies. A lovely printing of this poem by the 2013 Texas Poet Laureate. A fine copy..... More
(Tacámbaro, Michoacán): Taller Martín Pescador, 2006. Limited edition. Broadside. Brtoadside, 8 by 13 inches, finely printed by Juan Pascoe in black and red. Four verses of this traditional zajal are followed by a large, intricate ornament. One of 150 unnumbered copies. A fine copy, suitable for framing. In..... More
(Tacámbaro, Michoacán): (Taller Martín Pescador), 2015. Limited edition. Broadside. Broadside, 8½ by 13 inches, finely printed by Juan Pascoe in black and red. The two events are shown as (1) Presentación del Libro Taller Martín Pescador 1971 - 2014 and (2) Un Concierto del Grupo Mono Blanco. Limitation not specified..... More
(Tacámbaro, Michoacán): (Taller Martín Pescador), 2014. Limited edition. Broadside. Brtoadside, 12 by 18 inches, finely printed by Juan Pascoe in black and red. With a large linocut by Artemio Rordiguez showing an early printing shop. Limitation not specified. A fine copy, suitable for framing. In Spanish. More
(Tacámbaro, Michoacán): Juan Pascoe/Taller Martín Pescador, 2002. Limited edition. Broadside. A proof of a new typeface, Enciro, inspired by the fonts cut by Enrico Martínez, a printer of New Spain in the 16th and 17th centuries. The upper third of the broadside discuss and illustrated the font. The remainder..... More
(Tacámbaro, Michoacán): n.p., 2020. Limited edition. Broadside. Broadside, 18 by 26 inches printed in black and color with Artemio's linocuts illustrating the 29 letters of the Spanish alphabet. Here are Zorro, Vaca, Quetzal; Ojo, Lluvia, Libro; Estrella, Chapulín, Armadillo. (The images favor animals.) The letters are printed wither in green..... More
(Tacámbaro, Michoacán): n.p., 2015. Limited edition. Broadside. Broadside, 20 by 26 inches printed in black and red with Artemio's linocuts illustrating the 29 letters of the Spanish alphabet. Here are Zorro, Vaca, Quetzal; Ojo, Lluvia, Libro; Estrella, Chapulín, Armadillo. (The images favor animals.) Finely printed on heavy laid stock..... More
New York: Holt, Rinehart and Winston, 1967. Illustrated by Evaline Ness. First edition, first printing. Hardcover. Oblong 4to. (28)pp. Red paper over boards printed in black with a spine title and with a harp on the upper board. A fine copy. The dust wrapper is darkened at the spine..... More
London: Oxford University Press, 1965. First edition, first printing. Hardcover. 8vo. xi,263,(1)pp. Red cloth, spine in gilt and black. Frontispiece portrait. A fine copy. The dustwrapper has a trace of darkening else is fine and is not price-clipped. The third, and last volume, of the Memoirs of the Owen Family..... More
San Francisco; Denver: The Colt Press; Allan Swallow, 1942;1950. Limited edition. Two works bound in one. 'The Helmsman' is one of 300 copies and is signed by the author on the title page. Brown cloth printed in green on the spine and upper board. A fine copy. More
n.p. The Turkey Press, (1984). Limited edition. Stiff card wraps. Unpaginated. Thin 8vo. Perinted blue self-wrappers over card. One of 175 copies, from a total edition of 215 copies. Set in 12 pt. Goudy and printed by Sandra Liddell Reese. A fine copy. More
Nelson, B.C., Canada: The Gathering Inn Press, c. 1973. Illustrated by the Author. First edition. Stapled wraps. 12mo. 55, (1) pp. Printed stapled wraps. The text is hand lettered by Eva Waters. Full page illustrations throughout. Trace of soil and edgewear, else a near fine copy. More
Brisbane: The Jacarando Press, 1964. First edition. Hardcover. 43, (1)pp. Printed paper over boards. The spine ant upper boards are sunned else this is a very good copy. The first book of this talented Aboriginal author. More
Riverdale-on-Hudson: The Sheep Meadow Press, 1997. Uncorrected Proof. Softcover. 8vo. xxxii,74pp. Printed wraps. A light bump on the spine else a fine copy. Translated by Linda Zisquit. With a sticker on the upper cover, "Uncorrected Proofs". Prospectus laid-in. More
Norwalk: Easton Press, (1992). Hardcover. 4to. Full leather, spine in five compartments with raised bands, the spine and upper board blocked in gilt with a design by Howard Pyle. All edges gilt. Watered silk endpapers. Ribbon marker. Written and illustrated by Howard Pyle. This is a finely produced reissue of..... More
New York: Margaret K. McElderry, 2013. Jacket design by Julie Dillon. Hardcover. First printing of this reissue, with a new "Note from the Author" and with a new jacket illustration by Julie Dillon. A fine copy in a fine jacket. Inscribed on the title page by the author "For Wendy"..... More
Philadelphia: ,Printed by Budd and Bartram, 1800. Hardcover. 12mo. Two volumes.. xvi,(17-)216; iv, (5-) 227,(1)pp. Contemporary full sheep, gilt tooling and lettering on spines. Upper hinge of volume 1 neatly repaired, light wear to the edges of the boards, corners worn, else this is a very but mismatched set. While..... More
London: Sumptibus Societatis, 1840. First edition. Hardcover. 2 volumes. 4,(2),388; xxvii,(2, 389-)815pp. Full contemporary calf, spines in six compartments intricately gilt; brown leather lettering labels, with red onlays for the volume numbers. The leather has been rubbed in a few places, notably on the upper board of colume two, else..... More
Oak Grove, MN: Michael E. Coughlin, 2019. Limited edition. Hardcover. 12mo. 32pp. Frontispiece of the Glasonbury Cross. Finely printed by Michael E. Coughlin on a Kluge platen press on Biblio paper. The typeface is Garamond, and the drop caps are Trueheart. One of 10 special copies hand-colored, bound..... More
Boston: Houghton, Mifflin, 1897. First edition. Hardcover. 2 volumes. Quarter vellum, gilt; paper boards. 'Tales chiefly after the Old French of Crestien of Troyes.' Also an account of the Arthurian romance, and notes. Vellum significantly mottled with age; light wear and soil. Contents near fine. With the bookplates of..... More
London: Philip Lee Warner, The Medici Society, 1910-1911. Illustrated by W.Russell Flint. First edition. 4 volumes. 4to. The Text of William Caxton in modernized spelling. 46 colored plates by William Russell Flint. Tissue guards printed in red. Full limp vellum; gilt titles; top edges gilt. Green silk ties; white ribbon..... More
New York: Frederick Warne & Co., n.d. (1910). Early US Edition. Hardcover. 1910. 85pp. 4 by 5-3/4 inches. Wine maroon boards with hexagonal colored paste-on on front board. Lettered in white. First American edition variant: the address for Warne is given as 36 East 22d St. Earlier than Quinby's 18A..... More
Cleveland: The Arthur Westbrook Co, 1899. Stapled wraps. Volume V No. 53 of the Deadwood Dick Library. Denver Doll story No. 2. 7-5/8' by 5-1/4'. Color pictorial wrappers, stapled. Series advertisement on rear listing the entire 64 numbers of the series. 30, (2)pp. Last 2 pp. blank. Light soil on..... More
