London: The Scolar Press in association with the Pierpont Morgan Library, 1976. Limited edition. Hardcover. Thick 4to. Unpaginated. Finely bound in full l crimson morocco. Spine and boards tooledcin gilt, leather inner hinges, marbled endpapers, top edge red. A fine copy. One of 500 numbered copies (this is number 409)... More
London: Heorge G. Harrap & Co. 1917. First trade edition. Hardcover. Small quarto. 120, [4] pp. With thirteen mounted color plates (included in pagination), and twenty-three pages of printed music. Copiously decorated with intertextual illustrations, initials, and borders throughout. These elements and the text printed in ochre and black. Contemporary... More
Long Credon: Seven Acres Press, (19297). Limited edition. Hardcover. 8vo. Title page printed in red, blue and green. Illustrations and versal letters engraved on wood by the printer, Loyd Haberly. Printed in three colors throughout on handmade paper. One of 125 copies of which this is No. 26. Full brown... More
New York: Grosset & Dunlap, n.d. (1931). Photoplay Edition. Hardcover. Photoplay edition, with illustrations from the Universal Pictures produced by Carl Laemmle, Jr. Red cloth printed in black on the spine and upper board. Four full page photographic illustrations. Some light foxing to the title page else a fine copy... More
New York: G. P. Putnam's Sons, 1924. First trade edition. Hardcover. 8vo. Blue cloth, gilt titles on spine and upper board. Only a trace of wear along the edges, some soil and rubbing to the textblock, else this is a fine copy with the gilt bright. The scarce dustwrapper is... More
Newtown: The Gregynog Press, 1934. Limited edition. Hardcover. Square 8vo. 77.(3)pp. Finely printed in red and black on Kelmscott hand-made paper. Initial letters designed by Graily Hewitt. Title page in red and with the Printer's device. in green. Bond in brown oasis blocked in gilt on the upper board with... More
London: The Nonesuch Press, 1923. Limited edition. Hardcover. 8vo. (24)pp. The text is from the Authorised Version. Finely printed on Van Gelder handmade paper. Printed in two colors throughout, the text in black and the orders, inspired by 16th century originals, in ruddy brown. Edges untrimmed. Cased in thin boards... More
London: The Nonesuch Press, 1923. Limited edition. Hardcover. 8vo. (24)pp. The text is from the Authorised Version. Finely printed on Van Gelder handmade paper. Printed in two colors throughout, the text in black and the orders, inspired by 16th century originals, in ruddy brown. Edges untrimmed. Cased in thin boards... More
Hammersmith: Kelmscott Press, 1896. Limited edition. Limp Vellum. 4to. (1v), 496pp. . 4 wood-engraved illustrations by W.H.. Hooper after Edward Burne-Jones. (4to) 28.5x20.5 cm (11¼x8") original full limp vellum, spine lettered in gilt, three pair of ribbon ties. One of 350 copies on paper. Spine gilt and vellum lightly rubbed;... More
Bloomsbury: The Nonesuch Press, 1932. Limited edition. Hardcover. Tall 8vo. 59, (5)pp. Cased in white buckram heavily blocked in gilt with designs by Rickets. Top edge gilt in the rough. Finely printed by George W. Jones at the Dolphin Press on Van Gelder paper with the Nonesuch watermark, One of... More
Provo: Friends of the Brigham Young University Library, 1975. Limited edition. Hardcover. Folio. (xi), 59pp. Includes the essays by Spartano, "Dante Alighieri, Universal Poet", and Flake, "Boninus de Boninis in the History of Printing". Red cloth spine, white buckram printed in a design taken from a woodcut. Finely printed at... More
Bloomsbury: The Nonesuch Press, 1929. Illustrations by Thomas Poulton and Charles Sigrist. Limited edition. Hardcover. 8vo. (6),x,631,(5) pp. plus 6 inserts. Full morocco. Spine in six compartments with raised bands, gilt spine title. Gilt "I.W." within oval frame on the upper board. Inner dentelles wit simple gilt lines, Marbled endpapers... More
Portland, ME: Thomas B. Mosher, 1907. Wraps. 12mo. Frontispiece. Seventh edition. ON Van Gelder paper in a printing of 550 unnumbered copies. Bound in full morocco, spine in 5 compartments with raised bands, leather lettering label, gilt. Gilt tooling on boards. Decorated endpapers. Gilt rubbed in placed, lettering and bands... More
San Francisco: Paul Elder & Company, (1907). Frontispiece by Galen J. Parrett. Limited edition. Hardcover. 12mo. vi, (2),54, (2)pp. One of 1000 unnumbered copies finely printed on Fabriano handmade paper. Introduction by Geraldine Bonner. Bound in full calf. The spine in 5 compartments with raised band,s gilt; the boards decorated... More
(London): The Nonesuch Press, 1929. Limited edition. Hardcover. Thick 8vo. 94), XXIII, (1), 793, (3)pp. Full blue niger morocco, gilt spine title, top edge gilt in the rough. Finely printed on Pannekoek paper. One of 625 copies of which this is No. 125. Also issued in an unlimited edition, and... More
Strand: Essex House Press, 1899. Limited edition. Hardcover. Thick 12mo. 426pp. Full red leather, spine in six compartments, gilt; gilt inner dentelles, marbled endpapers. One of 750 numbered copies. This is No. 75. Masterfully rebacked with original spine laid-on; corners worn, a little rubbing to the upper oard, front free... More
WIltshire: Libanus Press, 1987. Limited edition. Hardcover. Thin 8vo. (12)pp. Finely printed on dampened Amatruda paper in an edition of 475 copies. Wood engravings by Phillida Gili. In an artist binding of brown morocco spine, handmade paper boards and with an oval on the upper board of puckered morocco with... More
London: The Riccardi Press, 1909. Limited edition. Wraps. Thin 4to. Finely printed on Batchelor hand-made paper in an edition of 512 copies. This is number 146. Bound in the publisher's limp vellum, gilt titles on the upper warp, green ribbon ties. The original blue printed wrappers are bound-in. With the... More
London: The Nonesuch Press, 1929. Limited edition. Hardcover. 12mo. 289, (3)pp. Cream-colored paper spine, printed paper label, blue paper boards. Frontispiece, and with facsimiles of Austen's works. One of 875 copies, of which this is No. 783. A fine copy. The original dustwrapper is present, a little finger-soiled and somewhat... More
London: The Nonesuch Press, 1938. Wood engravings by Eric Ravilious. Limited edition. Hardcover. Two volumes. 4to. Grey buckram, gilt, with a design by Ravilious on the center of each upper board.One folding map in each volume. One of 850 numbered sewts. his is No. 384. A fine set. Nonesuch Bibliography, 114. More
London: Printed for the Limited Editions Club, 1934. Limited edition. Hardcover. Two volumes. Tall 4tos. Rendered into modern English verse by Frank Ernest Hill. White buckram spines printed in black; gray paper sides with Chaucer's arms printed in black and red. One of 1500 copies finely printed by George W.... More
London: The Nonesuch Press, 1931. Limited edition. Hardcover. 2 Volumes. 8vo. Bound in full niger morocco, flexibly sewn, with a green oval on each upper board within a gilt suround and lettered gilt. Spines in six compartments, green leather letering label, gilt. One of 1375 sets of which this is... More
Bloomsbury and New York: The Nonesuch Press, Random House, 1929. Limited edition. Hardcover. 7 volumes. Small 4tos. One of 1600 copies, of which this is number 1092. Printed at the Cambridge University Press. Bound in full brown morocco. Spines in six compartments with raised bands, gilt spine titles, gilt rules... More
Portland, ME: Thomas B. Mosher, 1913. Wraps. 12mo. Frontispiece. Vellum paper covers with Lapp edges. Spine and upper board printed in brown. One of 550 copies. A couple of spots on the spine else this is a very good copy. More
London: The Nonesuch Press, (1928). Limited edition. Hardcover. 8vo. (2)xvi,202,(6)pp. Full niger morocco, gilt spine title. Top edge gilt in the rough. Finely printed by Joh. Enschedé en Zonen on Van Gelder handmade paper watermarked 'Nonesuch'. One of 1450 copies of which this is No 88 .The foldout plate is... More
